Review

Deadpool

Slayed By The Merc With A Mouth
by Andrew Reiner on Jun 25, 2013 at 05:00 AM
Publisher: Activision
Developer: High Moon Studios
Release:
Rating: Mature
Reviewed on: Xbox 360
Also on: PlayStation 3

Deadpool knows he’s in a video game. After refusing to read the game’s script – opting instead to draw pictures of Wolverine and busty women on it – he dives headfirst into the experience High Moon Studios crafted, but he isn’t exactly a willing participant. He frequently breaks the fourth wall to communicate with the player, barking complaints about the gameplay, level designs, and mission objectives. When Deadpool loses interest or sees something he doesn’t like, his imagination takes control. The game changes to fit his immature, offensive, or twisted whim. In one stage, he replaces famed X-Man Cable with a big-breasted woman who is his biggest fan. Some of his changes draw the ire of High Moon Studios; the game director calls him on the phone to complain about spending too much money on a scene filled with explosions, death, mass destruction, and effects galore.

I wish I had Deadpool’s power to complain within the game and cry out for more entertaining experiences. The game High Moon Studios created puts Deadpool’s wild persona in the spotlight, letting his mouth spew shocking words and his hands perform even fouler actions. He’s every bit the loose cannon he is in Marvel’s comic book universe. He favors crude jokes about male genitalia and talks about the little Deadpool in his pants at an alarming rate. Voice actor Nolan North nails the role of Marvel’s odd super-mutant, giving the voices in Deadpool’s head distinction, and his main voice captures the grating and annoying tones I always thought he had when I read the comic books.

Spending a significant amount of time with Deadpool is one of the biggest challenges. Sure, he spits out legitimately funny lines occasionally, but he’s always talking and complaining and saying ridiculous things, much like an annoying grocery-store clerk who wants to talk about every item you are purchasing. I turned the game off twice because I needed a break from Deadpool’s mouth.

Moments of brilliance are tied to his “gun-fu.” Combos seamlessly blend the slicing and dicing of swords with forceful shotgun blasts. Arkham Asylum-like counters can keep the strings going for hundreds of hits. Deadpool’s movements are fluid and followed up with buckets of spilled blood. Putting together these impressive strings relies on by-the-numbers button mashing, repeating the same combo commands for all three melee weapon types. I called upon the same combos for most of the game. The upgrade system is successful in making the weapons and their wielder more powerful, but doesn’t offer much in terms of expanding Deadpool’s acrobatic arsenal.

The repetition in moves collides unceremoniously with repetition in enemy types. Deadpool is opposed by waves upon waves of clones. When new enemies are introduced, many are enhanced versions of the same types, wielding a shield or a new power. Flying enemies are nuisances not just from their ability to rain blasts upon Deadpool when he’s engaged in melee, but because of the shoddy targeting and lock-on systems he uses to take them down.

High Moon didn’t just craft a brawler; the player can switch to running and gunning at any point, usually to dispatch foes at great distances or in sections where every foe is using some form of firearm. The gunplay is as crude as the melee. Successfully targeting enemies entrenched behind cover is a crapshoot – sometimes it works, sometimes bullets hit an invisible barrier, sometimes the enemy AI freaks out and maneuvers wildly to different positions. I never felt like I mastered the firearm action. Frustration and luck drove almost every trigger squeeze.

The gameplay cocktail High Moon forged falls apart more and more with each passing level. What starts as a game where Deadpool and his hundred-plus hit combos command the battlefield eventually becomes a war of desperation, where button mashing and hasty retreats are commonplace. The final boss battle is maddeningly unfair. The big bad can down Deadpool quickly, even if he has his combos working for him.

When I finished this game, I walked away unfulfilled. After a weekend away from it, I found myself chuckling over the crazy things Deadpool said and did. His obsession with Wolverine is particularly funny. The memories I took away from the game were worth the time I put in, even if playing it was a chore. I wouldn’t say it falls into the “it’s so bad, it’s good” camp, but like a cheesy Nic Cage movie, it sometimes hits the right comedic notes, but it just doesn’t hit them enough.

Deadpool

High Moon Studios made a name for itself with two solid Transformers games. Can this studio find similar success with Deadpool?

6
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Game Informer's Review System
Concept Marvel Comics’ insane super-mutant breaks the fourth wall in a game that struggles with the majority of its gameplay, yet ends up strangely fascinating for some of its ridiculous content
Graphics Although most of the action happens on Genosha, High Moon offers a variety of locations in the region. Character models showcase fluid animations and a nice level of detail
Sound Nolan North knocks Deadpool’s voice out of the park, not only voicing Wade Wilson but the two voices in his head as well. The soundtrack doesn’t jump out, and is often blanketed by Deadpool’s blabbering
Playability All combat avenues lead to repetition or frustration. Melee is easy to grasp, but shallow. The gunplay is often messy and lacking precision
Entertainment Deadpool slogs along, dishing out something hilarious or weird every so often. It’s not so much for comic fans, but for people who enjoy absurd things
Replay Low