The lights are on
The Witness' presence on the PlayStation 4 is a coup for
Sony – few independent games are as highly anticipated, given that the game is
coming from acclaimed Braid designer Jonathan Blow. Blow showed off an extended demo
of The Witness to press at E3, and I came away more eager than ever to dive into
the game's vibrant island and its many elusive puzzles. Five features
stood out as being central to understanding the nature of the project.
Blow began his conversation by discussing the importance of
non-verbal communication with players of The Witness. Throughout the game, Blow
and his team have gone out of their way to find ways in the environment,
puzzles, and pace of the game to communicate clearly without the need for
words. For instance, many areas of the game include puzzles that don't actually
unlock or change anything in the game world. Instead, these puzzles are built
to teach a concept to be used later. In one collection of puzzles, learning the
nature of colored white and black blocks and how to move between them is a
necessary trick before tackling a more complicated structure that uses the same
puzzle mechanic in combination with other systems learned in other locations.
Open Game Structure
The Witness is entirely set on an island, and that island is
split into ten themed areas. The size of each of these areas is
different, and there are a different number of puzzles to find in each. Some
areas have branching paths, such as a castle area with two distinct puzzle collection that each lead to
its conclusion – only one path needs to be completed to progress.
However you get to the end of an area, you'll light up a
beam of light that shoots out toward a mountain at one end of the island.
Once seven beams of light shoot up to the mountaintop, players can proceed to
the end game by climbing to the top and completing one last puzzle. Complete
all ten areas/light beams, and Blow promises a special ending surprise.
Similar Puzzles, Dizzying Variety
All of the puzzles Blow showed off during the E3 demo
involved the tracing of a line through some sort of maze, but it's remarkable
how much variety exists within this simple structure. In one area, the correct
line to trace can only be determined by observing the environment and looking at
the shape of tree branches in the nearby forest. In another area, whenever the
player traces one line, a second matching line is drawn at the same time, so a
path to the maze's conclusion must work for both paired and symmetrical lines.
Puzzles vary in complexity and expected time to completion,
but each is designed to make the player think in a new way.
Two Story Threads
While Blow didn't show off any of the narrative
elements of The Witness during his demo, he assured us that they are still a
big part of the game. Throughout the island, players find audio logs that
remain behind from those who were here on the island before the player. By listening to
these optional audio logs, you can unravel the mystery of the island and why it
is the way it is. Blow describes the game as having two distinct and
largely independent narrative tracks – the one illuminated through the audio
logs, and the more abstract narrative communicated through the puzzles.
However, learning about both the puzzles and the island's background helps to tie the experience together into a unified whole.
A Beautiful Island
While the central gameplay loop of The Witness is all about
puzzles, the beauty of its setting can't be ignored. The strange island upon
which players wander is filled with strange sights, striking architecture, and
colorful flower gardens. The art walks a fine line between hyper-colorful
realism and a watercolor aesthetic. The latter becomes more prominent the more
distant you are from an object, lending the view a dreamy, cloudlike quality. The bright greens of the trees and deep blue of
the sky makes for a breathtaking combination, and the many nooks and crannies
of the island assure that The Witness should be a fascinating and attractive
open world to explore.
For more on The Witness, check out Jonathan Blow's video discussion of the game and the benefits of independent development.
Email the author Matt Miller, or follow on Game Informer.
So excited for this. I'm glad to see they are using audio logs to help form a story alongside the puzzles.
This is seriously one of the reasons I'm getting a PS4. I can't wait for this game!
so far, this is the game i am looking forward to most on the ps4. blow is intriguing, complex, and has a beautiful mind. for me, the witness can't come too soon.
I was wondering how the puzzles worked. Looking at the trailer, I thought they were just brain-dead trace the line puzzles. Now they sound much more fleshed out.
So excited. I was worried this was just going to be an iOS game. Jonathan Blow did such a good job of tricking me into thinking I was smart in Braid. Really looking forward to his next bag of mind expanding tricks!
This looks so much better than the initial reveal shots!
Another fine reason to justify my pre-order!
Myst is one of my all time favorite games so im stoked on this!
This game is too beautiful.
just show the game already!!!
If this isn't 1080p 60fps on PS4 in this age, DONT EVEN BOTHER! low res & blur (which almost all previous Gen games were) is poverty gaming.
So how did the character get there? where & what is this place? cant wait.
are there animals? what will the sounds be like? wind, water etc. On a decent PC with 1600p monitor & quality speakers this should be quite a beautiful island to explore.
still I kinda wish for a more twist & creepy ending where scary things start terrifying you near the end. This game looks PG though.
Audio logs...Okay my god I love you Jon.
This game is just dazzlingly beautiful, and the promise of the two distinct narratives is just as intriguing. I can't wait to get a chance to try it out.
Am double glad to have this on Wii U and PS4. It'll be hard to know what system to get it on, but it's gonna be equally amazing all the same. It's games like these that have me hyped for next-gen maybe, just maybe breaking out of its industry's repetition and coming up with something new.