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Veteran Member - Level 13
A wealth of amazing games released in 2012, which made
coming up with a list of my ten favorite titles harder than most years. When
the dust finally settled, I had a surprising realization: At the top of my
list, story beat out gameplay.
The fact that someone would favor a strong story over
gameplay might not sound that surprising, but it is for me. I've always
considered gameplay to be the most important aspect of any game (or so I
thought), which is one of the reasons why I'm consistently more interested in
open-world titles than linear or heavily scripted games.
Furthermore, I've come to place less and less value on video
game storytelling over the years. A story can only be so engrossing when all
your protagonist does is run around and shoot things, and the more time a game
spends telling a tightly scripted narrative, the less time I get to spend
actually playing it. When David Jaffe told an audience at this year's DICE
summit that creating a game driven by narrative is a bad idea, I agreed. I'd
rather run around in a story-free sandbox (Minecraft, anyone?) than watch a
bunch of cutscenes any day.
Then I reexamined my top-ten list from this year:
1. Mass Effect 3
2. XCOM: Enemy Unknown
3. The Walking Dead
4. Borderlands 2
5. Far Cry 3
6. Hitman: Absolution
8. Assassin's Creed III
9. Halo 4
Not only did Mass Effect 3 win out as my game of the year,
but in the last few days before we went to print, The Walking Dead shot up my
list to number three, thanks to its emotionally gripping conclusion.
Mass Effect 3 won the top spot primarily because of its
story and characters – I enjoy its gameplay, massive scope, and fast-paced
multiplayer, but the real draw was concluding the epic story that I've been
driving with my own decisions for the past five years. When I compared Mass
Effect 3 to XCOM: Enemy Unknown – my other GOTY contender – my memories of
Commander Shepard's sacrifice, Mordin's redemption, the Quarian/Geth standoff,
and a dozen other story threads pushed Mass Effect 3 over the edge.
The same goes for The Walking Dead. The games that landed
below Telltale's episodic masterpiece have considerably more complex and
engaging gameplay. But when I reached the end of Episode 5 and realized just
how much Clementine and Lee meant to me, the dynamic moments I had experienced in
Borderlands 2, Far Cry 3, and Hitman: Absolution paled in comparison.
I never expected to favor games that I enjoy for their
stories over games that I enjoy for their gameplay, but there are a few mitigating
factors that make it easier to sleep at night. For one, both Mass Effect 3 and
The Walking Dead have highly malleable narratives – I'm not just being told
what to do or spoon-fed a one-size-fits-all story. My choices matter, which make
the stories a lot more personal and impactful than the typical video game yarn.
The other aspect worth noting is that every other game on my
list is there because of gameplay. This includes XCOM; even though much of my
love for Firaxis' acclaimed reboot can be attributed to the personal stories of
beloved soldiers, they emerged entirely from gameplay. In that sense, XCOM
is an exciting example of the direction I'd like to see video game storytelling
go – but it still wasn't enough to overcome my fondness of Mass Effect 3.
While I'll still gravitate towards open-world titles that
are driven primarily by gameplay, Mass Effect 3 and The Walking Dead made me
realize that video games can in fact be a powerful storytelling medium. I look
forward to seeing what stories 2013 offers gamers, regardless of where they may
fall on my top-ten list for next year.
Email the author Jeff Marchiafava, or follow on Google+, Twitter, and Game Informer.
This just goes to show how story has evolved as an integral part of the gaming experience. Sure, some games need little introduction or continuation of constant narrative (minecraft, dark souls); but now it seems that developers are both pulling the player in and integrating them into the world to truly make the story their own (Mass Effect, Walking Dead).
I wasn't so hot for ME3's story. I mean, I consider Mass Effect to be my favorite series in gaming, and ME3 had some memorable moments, but a lot of the narrative felt kind of uneven and inconsistent with itself and previous entries in the series. Also, although Rannoch and Tuchanka certainly capitilized on past player choices in a way few games have done before, many other choices were trivialized (The choice between saving the council or letting them die, keeping or destroying the Collector Base) or completely overuled (choosing who becomes the human council member, the choice on Zaeed's loyalty mission).
Yeah story is definitely important now, maybe not to the point where terrible gameplay is acceptable (interactivity is the most important part of the videogame medium), but to the point where some of my favorite games were very story heavy this year.
I am always interested in how other's gaming preferences evolve over time. Telltale's Walking Dead and Mass Effect 3 were undeniably moving and memorable narratives shaped by us, the gamers. My main frustration with sandbox games in that the narrative gets lost amidst roaming gameplay interspersed with a checkpoint narrative. The two components don't interconnect and feel like separate games but I am excited to see games continue to evolve in 2013.
That's how my list was this year. I'm a gamer that gravitates to a strong story, so this year was great for me. Thirty Flights of Loving, The Walking Dead, Mass Effect 3, Dead Esther, Home, Edna and Harvey, and Spec Ops: The Line were all games that had stories that were miles better than their gameplay in my book.
If you were to ask me which between gameplay and story is jectively the most important in a game, I would respond gameplay/interactivity. It is what defines the medium and differentiates it from books, movies, etc.
That said, a story should hold just as much importance if the gameplay caters to it. For example, Mario does not need a fleshed out back story and Pahtos to get him stomping on Koopas and using their empty husks to slaughter countless others (though he does in Paper Mario and its awesome). The joys of his games are navigation. Yet with a game like Tell Tales The Walking Dead, survival and bringing up Clementine are so integral to the story and gameplay that they are kind of one and the same.
Personally, I feel that variety keeps it fresh so I bounce between heavily narrative games and those with heavy emphasis on gameplay. If the game has both in spades, they all the better as balance is that hard yet rewarding tightrope to walk.
I agree with your list.