The lights are on
What new ideas the game brings to the table and how well old ideas are presented.
How good a game looks, taking into account any flaws such as bad collision or pop-up.
Does the game’s music and sound effects get you involved or do they make you resolve to always play with the volume down?
Basically, the controller to human interface. The less you think about the hunk of plastic in your hands, the better the playability.
Flat out, just how fun the game is to play. The most important factor in rating a game.
If you like wielding huge swords, exploring dungeons, and fighting monstrous bosses, you’ll find no shortage of games catering to your interests. The action/RPG genre is an old favorite among gamers, crowded with various heroes and legendary weapons. With such a broad array of peers, a successful action/RPG needs to stand apart from the herd; a cool setting to explore, unique combat mechanics, or the word “Zelda” in the title all do the trick. Nier lacks any of these distinguishing characteristics, leaving a generic-yet-functional journey from point A to point B with all of the spark and scenery of a trip through western Kansas. The primary thrill in action/RPGs is gaining enough power to do things you couldn’t do before. Whether you’re accruing items that open up sealed locations or gaining new combat abilities, you should feel progressively more awesome the more time you spend playing. This is where Nier stumbles the most; it conveys no sense of growth. You hit the same buttons at both the beginning and end of the game, and magic attacks become more useless with each iteration. Technically, numbers on a menu screen prove that your stats are increasing, and that one weapon is better than another, but I couldn’t feel any difference.Nier’s combat mechanics may be dry, but they still function within the game’s limited ambitions. Attacking, dodging projectiles, and spell casting are easy to accomplish, enabling you to mindlessly mow through most encounters. Given the low level of challenge, it’s surprising that you eventually gain two party members to assist you in combat. Don’t worry about them stealing your kills, though; they’re idiots, only able to follow three basic commands buried in the menu system.While the gameplay landscape is sparse, Nier's post-apocalyptic world has plenty to offer. A thousand years after the human population is effectively wiped out, the remaining people are living a simple medieval existence, with former technological and architectural marvels standing as inert and overgrown monuments in the wild. Developer Cavia has wrapped a good story around this setting, using your main character’s quest to keep his disease-stricken daughter alive as a vehicle to deliver a few surprising twists that leave you with a sense of the ruined world’s bleakness and desolation. While it goes off the rails a little towards the end, the tale is ultimately a satisfying one. Unfortunately, you can’t just move through the plot quickly to get to the good stuff. Dozens of sidequests and upgradeable weapons are your most likely distractions, but they involve lots of backtracking and hours of grinding for rare materials. Even if you skip these diversions, you’ll still spend a ridiculous amount of time fighting familiar foes, running through the same handful of vast and boring areas, and revisiting dungeons you’ve already beaten. This level of repetition effectively kills the narrative momentum, bringing down the one thing Nier does well. With so many genuinely good action/RPGs that aren’t riddled with archaic missions and gameplay, I have trouble recommending Nier solely on the basis of a decent (but unevenly executed) story.
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Nier held my attention for over 30 hours. In this time, I traveled great lengths to harvest materials to upgrade my weapons, helped villagers with their chores, became the land’s premiere pumpkin grower, and amassed 100-hit combos through the game’s excellently crafted swordplay. I also spent roughly half of my time walking. Who am I supposed to be? Gandhi? Nier’s biggest problem is its vast stretches of uneventful wandering. Some of these lengthy jaunts end with the player having to read over 40 pages of text to solve a poorly designed riddle. Far too much time is wasted on meaningless things – so much so that you may want to pound an energy drink after each dungeon concludes – but the time you invest pays off. If you can overcome the overly relaxed pace, enticing plot hooks are littered throughout the story and the likeable cast has many secrets to tell. The storytelling starts great, and doesn’t lose much steam along the way. Nier just needed an editor to cut the fat out of an otherwise excellent game.