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Capcom is known for being a risk-taker among Japanese publishers, but
the newly announced Dragon’s Dogma is pushing the company out of its
comfort zone even further. The RPG blends party management and action
with an ambitiously large open-world setting and impressive boss
encounters. I was able to play through one such encounter, against a
griffin.
There wasn’t much context to the demo, aside
from knowing that players start the game off after having their heart
stolen by a dragon. The dragon then instructs players to follow a series
of quests. That’s all I knew as my party of four descended a hill
toward a cluster of goblins. They’ve either killed a large animal or
stumbled upon its corpse, and they’re celebrating the occasion with
dancing and hooting. Unfortunately, the festivities are about to come to
a brutal end.
My AI companions (or pawns, as Capcom calls them)
begin the attack, with melee fighters closing in and bashing the goblins
with swords. Meanwhile, the mage holds back, taking on a supporting
role. As a strider, my character is equipped with a bow and daggers. I
fire off a few arrows before moving in for a more personal attack. My
character is equipped with a few specialized dagger skills, such as one
that propels me closer to a targeted enemy and another than lets me
unleash a volley of quick slashes. The goblins are weak, and they fall
quickly. A few times, my teammates manage to grab an enemy from behind,
temporarily incapacitating it. They signal for me to finish them off,
which I do with a slow-motion flourish.
Even though I’m playing
the game by myself, the constant chatter and feedback from my companions
makes it feel as though I’m accompanied by a competent party. “They’ll
learn things during the fight; they may figure out its weak point before
you or figure out what types of weapons work better against it,” says
Hiroyuki Kobayashi, the game’s producer. “They’ll pass that information
to you.”
I get a better sense of that when we’re attacked by a
massive griffin. It circles above, and one of the pawns tells me to look
overhead. Pressing the circle button on the PS3 controller focuses the
camera in on such points of interest. The creature swoops down, knocking
a few of the pawns over in its wake. It circles back and then hovers.
Realizing a potential vulnerability, the mage buffs my weapons with a
fire enhancement, which makes my arrows particularly effective against
its feathery head. A few arrows later, and the griffin skids to the
ground, writhing in pain.
As I rush in and slash at its feathery crest with my blade, its snowy
white crest becomes increasingly disheveled and bloody. Eventually it
rises up, stomping at nearby attackers with its fearsome claws and
snapping with its beak. We pull back, and the mage begins a round of
healing spells. While I can use the d-pad to issue general commands such
as “help” “attack” or “come here,” the pawns seem to be doing a great
job by themselves. When one gets knocked down, it calls for help and a
nearby ally stops what he was doing and revives his fallen partner.
The
griffin begins its hovering cycle again, but this time a pawn positions
herself beneath the monster. Braving the gusts generated by the
flapping wings, she calls to me and says I should use her to jump onto
the beast. I follow her advice, and I’m soon scrambling up its leg, onto
its back, and then finally near its neck. From there, I pound on the
gryphon with my daggers. Capcom says that these climbing elements are
going to be a large part of the game’s action.
“There’s no set
point where you can grab and climb up onto these big bosses,” says
Kobayashi. “You can grab them anywhere they have an appendage thrown
out. A lot of action games where they do big boss fights, a lot of times
they’ll only let you attack the shins or the ankles of the boss. They
don’t really give you the feel of the size of that creature. So we’ve
made it so you can climb up anywhere and attack any part of their body.”
After
getting in a few more stabs, I drop down and pull out my bow. Once
again, I’m given a fire buff and I use a specialized bow attack, which
creates a raining fusillade of arrows. That’s enough to knock the
griffin down for the last time. With only a sliver of health remaining, I
rush in and finish it off with a few flourishing blows.
I played
the demo a few more times after that, and it was surprising to see how
much variety the battle offered. I tried things like using goblin
corpses to lure the beast to certain areas, and even took a support role
myself as the pawns took over. Parts of the game are a little rough
still—some of the audio clips are repeated a bit too frequently, for
instance—but it’s definitely an ambitious project that shows some very
real potential.
Look for the game in early 2012 on the PlayStation 3 and Xbox 360.