An Interview With Warren Spector - Disney Epic Mickey - Nintendo Wii -
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An Interview With Warren Spector


Upon our visit to Junction Point to learn about Epic Mickey, we had the opportunity to sit down for an extended conversation with Warren Spector. We tapped his expertise on Disney and Mickey Mouse, asked him all about his new game, found out what he thinks it will take to revitalize the character of Mickey Mouse, why he chose the Wii, and even what other Disney dream project he’d like to tackle. If you’ve been following our coverage of the game, you’ll recognize some of his words from other articles. To get the full scoop, read ahead for our complete interview.  

GI: What do you think the significance of the Mickey Mouse character is in relation to film history and animation history?

Warren Spector: Mickey is critical to both animation history and film history. He was absolutely and demonstrably the most recognizable and popular film star in the world for about three or four years in the early ‘30s. He was huge at the box office. It’s not an overstatement to say that he gave hope to an entire generation of people living through the Depression. He was a little ray of sunshine. He seems kind of sweet and innocent, and his films don’t seem as anarchic and crazy and maybe relevant as today’s films do, but at the time it was exactly what the country needed, what the world needed. So he was there to provide it. 

Just in terms of animation, he also represents a push for quality and for characterization and for story over gags – that was entirely new to cartoons. No one had ever really done that before. It’s actually not that completely accurate to say that he was the first sound cartoon character, but he’s the one that got in peoples’ heads first, and that means he’s the most important star of the talking pictures. You can argue that in 1928 when Steamboat Willie came out as the first sound synched cartoon that people were really aware of, Al Jolson was making the Singing Fool, which was a crummy old silent film style – and I mean, I love Al Jolson, and I love that movie, and there are probably five fans out there that are going to be offended now, but – he showed that sound film could be an art form in the same way that silent films were. Huge, hugely important. 

GI: What made those early Disney cartoons stand apart from the crowd? Animation was growing big at that point in general. What made Disney’s stuff work and take on that status that you’re talking about?

WS: The thing that I think set Disney apart more than anything else was his unwavering commitment to quality. He would not cheap out on anything. Animation at that point was this little backwater. No one cared about it. There were Felix the Cat cartoons, and some others. There were some cartoon characters who had some popularity back then, but they were really quickly thrown together, kind of haphazardly, slapdash things that nobody cared about. Disney really paid attention. He focused on quality. 

He lost Oswald because he refused to compromise on budget. That was the fundamental issue. He wanted more money to make better cartoons, and his distributor wouldn’t give it to him. So they fired him, found somebody who would do it cheaper, and guess what? Nobody remembers Oswald after Disney stopped doing him. So unwavering commitment to quality, that’s number one. 

Number two was he moved beyond just gag, gag, gag, which is what the earlier cartoon shorts were. It’s not that Disney skimped on the gags. I mean, he paid his animators by the gag. It’s not like he wasn’t thinking about that stuff, but he really brought a level of character and story to short cartoons that no one had ever seen. 

GI: How do you see the character of Mickey Mouse having changed over the years? Were there particular eras that you identify in the character’s life? 

WS: Yeah, there were definitely distinct periods in Mickey’s life. There’s a wonderful poster of all of the different major eras of Mickey. We’ve got it up on the wall, actually. I don’t know who owns the rights to that. It’s a great poster. 

There’s that early phase where he was a rat. There’s just no two ways about it. He was a guy who smoked and drank and shot guns and skewered people with swords and threw Minnie Mouse out of a plane when she wouldn’t kiss him and abused farm animals. He was a badly behaved little guy. As he became more popular, I think Walt started saying, “Let’s make this guy more realistic. Oh, we don’t want to do things with this guy that the world isn’t going to like,” so they started taming him and taking different parts of his personality. I’m about to get really pretentious – he was like this fully individuated ego. Jung would have loved Mickey Mouse. 

But at some point they fractured his personality. They took his mischievousness and his anger and need for revenge and gave it to Donald. At some point they took his naïve simplicity and gave it to Goofy. They took his loyalty and infinite affection and gave it to Pluto, of all things. They took his character and just shattered it, and all of a sudden he’s kind of a straight man for the gang. So there’s that middle period where they kind of lost some of what made him special. He stopped being Douglas Fairbanks the adventurer or even Charlie Chaplin the humor guy, and they turned him into just the straight guy. 

GI: When was this period? When do you see this change first happening?

WS: I think you start to see it by the early ‘30s. By 1932, that was well under way. He was created in 1928, and he had a three or four year run of being this amazing character that I think even if kids watched that cartoon, if they could stand to watch something in black-and-white, I think they’d really get a kick out of it and be amazed at how badly behaved Mickey was. 

But by the early ‘30s, though he was no less popular – I mean, he was absolutely beloved in ’32, ’33; that was his peak right there – but by that point he had kind of become the straight man. And then toward the end of the ‘30s, it looks to me from the outside that they were trying to bring back some of the adventurous spirit that he had. By the ‘40s, they were doing things like Brave Little Tailor and that kind of stuff. They tried to get it back, but they just couldn’t take any risks with the guy. He was so successful and so popular that taking any risks with him risked the entire future of the company. Who’d be  crazy enough to do that? Wait, other than me. No one’s nutty enough to do that. 

By the ‘40s, he was already kind of on the wane. If you look at it, Donald Duck was way more successful by the ‘40s. There were lots more Donald cartoons. By the ‘40s, Mickey was appearing as a secondary character in Pluto cartoons for the most part. Goofy and Donald were doing their solo thing. I think in 1952 they did “The Simple Life.” That was Mickey’s last cartoon for about 35 years. It was kind of over. He was an icon on a watch, on a t-shirt.

There have been attempts to bring him back. “Run-Away Brain” in 1995 – I loved that cartoon. I don’t understand why people at Disney don’t like it. I think it’s brilliant. It’s a fantastic cartoon. But other than that, there’s “The Three Musketeers.” I dunno. “The Christmas Carol.” Eh. They didn’t know what to do with him anymore. He’s kind of been laying fallow, which is a great opportunity for us.

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  • This guy sounds like a blessing for Disney.  I really hope he does make a ride, a movie, and a DuckTales game!  Come on, Spector, you can do it!  

  • I totally want Warren Spector and his team to do a ducktales game too..

    After I buy EPIC Mickey that would be the next Disney game I buy Ducktales. I do not see why Disney is so against letting people have new Ducktales stuff Just about everybody I see knows that show loved that show and will randomly sing the theme song to ducktales.

    The NES Ducktales games was stuff of Epic legend, Ducktales and scooge mcduck had it all you could do just about anything with them in a game they even went into space! Anybody who had a NES and watched Ducktales would want it.  Everytime people mention Disney video games the dinsey afternoon games on NES/SNES/Genesis always come up just about everybody remembers them. (also have you seen how much ducktales2 /rescue rangers 2 goes for on ebay)

    And they would want it for there kids now since Ducktales TV show/Video game was like What 20 years ago now?  Ducktales got rerun on Disney channel like all the time so I know tons of new people must of watched it who was not even born when it came on the first time. They are totally timeless cartoons they don’t age much kind of like flintstones jetsons and what not.

    Then for some reason Disney decided to all the sudden ignore  Ducktales and scrooge mcduck,  So I don’t know what the deal is there seems to be a pretty *** high demand for new ducktales stuff and new game but Disney won’t let us have it.  It took years of whining to Disney to get DVD box sets of duckTales. (and isn’t there 1 vol they never gave us?)

    Also Note the new the Christmas carol movie.. Why did they not just make a remake of the Mickey's Christmas carol with scrooge mcduck?  Seriously the first time I ever seen a Christmas carol was the "Mickey's Christmas Carroll cartoon film"  I would have much rather have had that.  “Mickey’s Christmas Carroll” was like the best Christmas Carroll film ever period.   So I automatic associate scrooge Mcduck with playing the role of scrooge in my mind.

    Then again they don’t use Mickey mouse for hardly anything anymore either…

    The last time I saw Mickey in a theater was a double feature with Home alone 2 and Mickey’s prince and the pauper  film around Christmas wayback and *** it was Awesome.

    I thought Whole big deal a way back and the fighting/getting rid of Michael Eisner  ordeal was supposed to let the people work at Disney have more freedom for new ideas or at least use  do new stuff with something as awesome as Ducktales that people want.

    Well they did green light Epic Mickey maybe  for Disney corp  letting one creative Disney game pass then they have to take a brake a regain there strength.  Kind of exercise after you let you self go so long Epic Mickey is the first time Disney corp has been the treadmill for video games since like Kingdom hearts, they have to lose the flab before a Ducktales Video Game gets a pass.

    I mean *** I want a new video game for just about every disney afternoon show but Disney won’t let anybody have it, they want to be evil.

  • I loved scrooge mcduck comics too  Somehow I got a couple of scrooge mcduck adventure type comics, Though I am not sure how I got them since they was printed way before I was born..

    Might have been my mom or my sisters winded up in my book case also got some Disney records and such.

  • I also find it odd donald duck was in the comics all the time but was almost never in the ducktales TV show since he was in the "Navy"

    that was too bad he did not show up in the duck tales show more and eneded in the gross quack pack TV show..

    ok Im done.

  • Oh yeah finally a good-looking mickey mouse game. Lets just hope they don't screw up the gameplay.

  • I finally got my copy of GI over the weekend.  This game looks amazing!  It's definitely going on my wishlist.  I never saw "Run-Away Brain" and, if Disney didn't like it, I probably never will (as it is no doubt locked away for good in the Disney vault).  Warren Spector absolutely has my vote for a Duck Tales game.  He's right; the Carl Banks comics that Duck Tales was based on were great.  I remember reading them as a kid (they had to have been reprints).  There is definitely a market for a new Duck Tales game.  Let him do it, Disney.

  • I think the game has a fantastic premise, but I still can't get over how dated the graphics looked in the images from the magazine article. The flat, pixelated, and textureless surfaces are jarring at first glance. No doubt Epic Mickey will be one of the great games of it's year of release. I just think it's a shame that it's being developed for the Wii because I feel the developer's spectacular artistic design is being limited by old hardware.

  • This game is going to be the first excellent western-developed Nintendo Wii game.

    Go Warren Spector, you can do this.

    Seriously, this guy is really energetic, he wants this game to succeed. He cares about gamers.

    When it comes out, let's make it a success. More games like Epic Mickey needs to come out.

    Innovatived games like this makes me proud to pick the Wii first and a fan of Nintendo/Disney/Mickey Mouse.