The lights are on
Veteran Member - Level 12
a large element of my enjoyment of video games comes from soundtracks and
scores. so much so, that even years after playing certain games, i
listen to tracks on a regular basis.
following is a list of my top ten favorite video game soundtracks (in no particular order, excepting the first).
far cry 3 (brian tyler)
there are games where i find the soundtrack forgettable. this one is the opposite.
cry 3 was my game of the year in 2012, and the score was no small
aspect of that. while playing the game, i felt tyler conveyed the mood
more than perfectly; he enhanced the crap out of it. this music made me
feel i could do anything...and i did. the combination of score and
gameplay made me fearless.
there are tracks i still listen to
on a regular basis and likely always will. i will say i was more than a
little disappointed when i heard brian tyler wouldn't be doing the score
for far cry 4, but i feel cliff martinez will bring something
interesting to the table (i suppose we shall see in a matter of months).
it bun dem: granted, this wasn't a track by brian tyler, but who will
forget the 'burning the weed' mission? it was gonzo and great. i'd never
played a mission in a game like it, and the music pushed it over the
edge into something all its own.
standout tracks: heat, falling into a dream, journey into madness.
bioshock trilogy (gary schyman, various licensed works)
is my all-time favorite game. the atmosphere, aesthetics, gameplay, and
the story came together to form video game magic. while schyman's
scores for all three games were excellent, they were complimented by the
licensed materials in a way i hadn't experienced previously.
is a selection (or trio of, to speak accurately) scores that i couldn't
even pick out favorite tracks. everything was as i'd wish it.
far cry 3: blood dragon (power glove)
blood dragon was one of the best surprises a video game has afforded me. once again, the music suited the game world perfectly.
a super fan of the '80s, neon, and over the top action movies of the
era, power glove hit all the right notes, figuratively and literally.
standout tracks: blood dragon theme, power core, resurrection.
infamous (amon tobin, jim dooley, mel wesson, jd mayer & working for a nuclear free city)
was another instance where the soundtrack reached out and grabbed me
from the get go. the staccato electricity of the music was exactly what
the game demanded, and deserved. i can't hear this score without being
able to perfectly visualize certain moments.
standout tracks: rabble rouser, meet the reapers.
infamous 2 (brain, galactic, jd mayer, jim dooley)
in the same vein as the first entry in the series, this score captured
the power and out of control potential of your abilities. it was dirty,
gritty, and spot on. and either way you chose, good or evil, it matched
standout tracks: cole macgrath, the freaks are everywhere.
journey (austin wintory)
can be said about journey that hasn't been said dozens of times before?
the glowing praise heaped on it is entirely deserved, as was the praise
for wintory's gentle, yet powerful score. it was a banner moment for the
industry that this was the first video game score to receive a grammy
standout tracks: nascence, apothesis.
super mario bros. 2 (koji kondo)
at a young age, this music stuck with me. the moderate ragtime feel
suited the game perfectly. who can hear this and not think about falling
down screens, digging through sand in a zig-zag pattern to escape the
phantos, and chucking eggs to fight so many bosses?
standout tracks: character select screen (yes, really!), underworld theme.
tearaway (brian d'oliveira, kenneth young)
one both surprised me, and didn't. media molecule is such a special
developer to me. they always manage to create something amazing,
visually beautiful, whimsical, and innovative. tearaway blew me away,
and the music was no small factor.
hear these tracks, i am instantly transported back to the game world of
gorgeous paper crafts and details. just thinking about playing this
again, though this time on the big screen via console, makes me so happy
i could burst (not literally. that would be super gross.).
also, when i think about being serenaded by squirrels, it makes my heart ache. that tune is so delicately mournful.
standout tracks: renaissance hop, the lab, desert of the mind, the traveller, the message.
the wolf among us (jared emerson-johnson)
have a bit of a beef about this: i loved this soundtrack so much,
however i have found no honest way to obtain it, as telltale has yet to
release an official soundtrack album (come on, now!). if one is ever to
be released, you can be sure i will give it more than a few plays.
standout tracks: menu music. everything else.