The lights are on
We chat with creator Sam Barlow to discover how this unique game came about and why he made the decisions he did to keep you thinking.
Terminator Genisys might not be living up to fan expectations, but that won't stop us from dreaming up the perfect Terminator game.
Test your knowledge of organized crime and competitive gaming.
This week's offerings feature writers lamenting gaming mistakes, pondering what a Last of Us sequel should be, and a very personal story about death and Fallout 3.
We take a look at a number of visual clues that tie Visceral Games to a certain charismatic space rogue.
The audio director and composer of Halo 5 brings back classic Halo themes while making the combat feel more immersive.
This article dives into subject matter that you may not want ruined prior to reaching it in the game.
Rocksteady sets a new bar.
Maybe Nintendo can't give us the games we want because of its overreliance on gimmicks.
The Last of Us sits on senior editor Ben Reeves' list of the greatest games from last generation, and yet, he doesn't think he wants a sequel.
We spoke with Woolly World producer Takashi Tezuka about yarn, and if Yoshi's Island is a Mario game.
Released in 2003, fashion designer Marc Eckō proved he was also a fairly capable game designer with Marc Eckō's Getting Up: Contents Under Pressure.