Please support Game Informer. Print magazine subscriptions are less than $2 per issue
The Secret Behind Shadow Of Mordor's Rhythmic Combat
Few game studios have a dedicated composer working within their walls. Senior composer Nathan Grigg has worked alongside director of audio Brian Pamintuan at Monolith Productions for over a decade and their collaborative work style is readily apparent in Middle-earth: Shadow of Mordor. The demo of the game that we saw while visiting the studio for our December cover story did a great job of subtly adding musical stings to the most impactful moments of the game's free-flow combat. This confluence of sound design and music in the game really adds to the experience, and we hope its origins make more sense when you see Grigg and Pamintuan work together in the video.
Watch the video below to hear samples of music from Middle-earth: Shadow of Mordor and watch the audio team at Monolith put on an improvised concert with Game Informer's Matt Miller with some of their stranger instruments. Just in case it isn't obvious from the video, the music in the game sounds a lot better than the loose musical performance at the end. Enjoy!
To learn more about Middle-earth: Shadow of Mordor, stay tuned to our exclusive coverage hub by click on the banner below.
To stay up to the minute with our Shadow of Mordor updates, follow Game Informer on Twitter, Google+, and Facebook. And, to keep up to date with Shadow of Mordor's official feeds, check the game's official site, Facebook, or Twitter.
I’d like to ask you to support Game Informer’s continued coverage of games with a subscription. For less than two dollars per issue, we mail you a full year of 10 print magazines, each with cover stories and preview features filled with exclusive details about the most exciting upcoming games. We profile and interview game creators. We look back on the rich history of gaming, and we celebrate what’s next.
Here on the website, we offer much of our content for free, including game reviews, daily news, videos, event coverage, and more – all with minimal ads.
We do so with a small editorial team, alongside contributing paid writers from around the world – over 65 individuals from 9 countries around the world, just in the last couple of years.
It’s not possible without support.
In a time when game makers and games coverage have faced hard struggles and layoffs, the future of this 30+ year magazine and community is at risk. Our new standalone magazine subscription is the number one way you can keep us alive – and we believe you’ll get a pretty fantastic gaming magazine in your mailbox every few weeks for your trouble.
Thank you.
