The lights are on
The Grand Theft Auto series is responsible for making the
open-world genre one of the staples of the gaming world. However, Rockstar
Games' ambitious soundtracks and superb use of licensed music also changed game
soundtracks. With today's new GTA trailers, which feature tracks by Queen, L.A.
rapper Jay Rock, and country legend Waylon Jennings, it seems like a good time to
look back at the legacy of Grand Theft Auto's music.
As video games moved towards optical disc formats in the
1990s, many developers began to realize that - instead of the relatively
primitive MIDI and "chiptune" music of the 1980s - the CD-ROM format offered
the opportunity to use high-quality digital soundtracks featuring recorded
tracks by popular music artists. Some early examples include Road Rash for the
3DO, which included songs by then-hip alternative artists like Soundgarden,
Therapy?, and Swervedriver, and Naughty Dog's Way of the Warrior for 3DO, which
used tracks off of White Zombie's La
Sexorcisto: Devil Music Vol. 1. Also notable were the less-than-stellar
interactive Sega CD games that allowed users to create music videos for INXS
and pre-teen hip-hop stars Kriss Kross.
Still, these early attempts felt more driven by the
publishers' respective marketing departments. Perhaps the first game to truly
present a licensed soundtrack that seemed tied to the game's aesthetic was
Neversoft's Tony Hawk's Pro Skater, which featured skatepunk classics like
"Police Truck" by Dead Kennedys and, memorably, "Euro-Barge" by the Vandals.
However, with the release of Grand Theft Auto III, Rockstar
changed the very idea of what a game soundtrack could be. Because so much of
the game was spent in cars, Rockstar North hit upon the idea of creating
virtual "radio stations" that the player could switch between at will. Like a real-world
station, each GTA station was formatted for a certain musical style, and was
complete with DJ banter and satiric advertisements. This idea proved so popular
that the stations soon became one of the draws of the game for fans, rocketing
radio personality Lazlo (a real-life DJ) to cult stardom among gamers.
More importantly, the selection of music was a far cry from
the usual random assortment of current pop, rap, and rock artists placed
through partnerships with major label record companies. From classical station
Double Clef FM (which provided a surreal soundtrack to the game's violent
action) to Game Radio FM (which featured emerging underground rappers like JoJo
Pelligrino and Royce the 5-9), the GTA III soundtrack pointed to Rockstar's
deep knowledge of music. It's not a coincidence that the company's founders,
Sam Houser and Terry Donovan, had roots in the U.K. music business.
However, it was the breakout success of GTA III that allowed
the company to open the coffers and create something truly astounding with the
soundtrack to Grand Theft Auto: Vice City. Inspired by Michael Mann's
groundbreaking TV show Miami Vice,
itself an innovator in the use of licensed music on television, Rockstar sought
to sum up the diverse music of the 1980s with a soundtrack of unprecedented
size and scope. The game's seven radio stations ranged from Latin music to '80s
metal, and proved so popular that Rockstar actually released the radio station
as a box set of CDs, a first in games. Simply put, it was a triumph. Lazlo, with
a little help from the game's fictional band Love Fist, spread the metal gospel
on V-Rock, and New York hip-hop legend Mr. Magic pumped out beats on Wildstyle
Pirate Radio. The juxtaposition of sounds was amazing; I'll never forget
gunning down drug dealers to the ethereal sounds of Kate Bush.
Much like the game itself, Rockstar managed to top Vice City
in both size, scale, and quality with Grand Theft Auto: San Andreas. Once
again, the soundtrack sought to encapsulate an entire era of music - in this
case the early 1990s - while digging deep into music history.
San Andreas featured 10 radio stations, each providing an
insightful, well-selected overview of a genre. This time around, both East
Coast and West Coast hip-hop got their own stations, filled with genre classics
(and Playback FM was even DJed by Public Enemy frontman Chuck D). Radio X paid
tribute to the alternative rock revolution of the era, with tracks from Jane's
Addiction, Stone Roses, and Helmet. Contemporary Soul Radio pumped out the New
Jack Swing and R&B jams of the '90s, featuring the likes of Boyz II Men,
Bell Biv Devoe, and Guy.
However, Rockstar also provided fans with a musical
education of sorts in San Andreas. K-Jah was a great primer to classic reggae
and dancehall, hipping gamers to such cult classics as Dillinger's "Cocaine in
My Brain" and Toots & the Maytalls' "Funky Kingston." K-Rose was packed with
classic country songs by Merle Haggard, Willie Nelson, and others. Perhaps mostimpressive was Master Sounds 89.3, which was a compilation of classic "break
beat" records by artists like James Brown, The Watts 103rd Street
Rhythm Band, and Bob James - the very records that were sampled by the rap
producers of the late '80s and early '90s.
As the GTA series has continued, Rockstar's soundtracks have
grown in both size and sophistication. Grand Theft Auto IV's more mature tone
was cemented by an early trailer that used a piece by minimalist modern
classical composer Philip Glass, a name more associated with the New York art
music world than video games. GTA IV also added representation of more niche
genres like hardcore punk, jazz, jazz fusion, and trance techno.
As for what's in store for Grand Theft Auto V, we can only
imagine. So far, all signs point towards yet another awe-inspiring soundtrack.
Instead of a familiar pop hit, the first trailer for the game features a
typically canny, evocative music choice by Rockstar - the title track to the
Small Faces' '60s psychedelic classic Ogdens'
Nut Gone Flake. A subsequent trailer was featured Stevie Wonder's '80s hit
"Skeletons," followed by the use of Queen's "Radio Ga Ga," Jay Rock's "Hood
Gone Love It," and Waylon Jennings' "Are You Sure Hank Done It This Way?"
Given everything we've learned about Grand Theft Auto V, we
expect the soundtrack to be bigger and better than anything we've seen in a
game to date.
To relive some of your favorite songs from GTA history, check out the iTunes and Spotify playlists that Rockstar recently created for every past game.
Email the author Matt Helgeson, or follow on Twitter, and Game Informer.
who can forget listening to War's "lowrider" while driving a lowrider in los santos
Just one of the many talents of Rockstar is picking great music for their games.
I'm glad GTA popularized this kind of thing. My favorite game soundtrack is probably Fallout 3's. It got me into that style of music, and it and traditional game music are really the only types of music I listen to. Hopefully Rockstar can continue the greatness they created with GTA V.
GTA is pretty awesome. San Andreas had a great soundtrack and radio.
I hope they add something akin to mixtapes in Saints Row the Third. It would be nice to make a custom soundtrack to listen to when playing the game.
Loved 3's Soundtrack but their choice in music didn't hit me until I realized a good chunk of the music in VC was also used in the 1980's Scarface, a movie the game takes heavy cue's from.
One of my most memorable moments though, riding a dirtbike in the San Andreas deserts while listening to "Horse With No Name" by America. Nothing encapsulates a soundtrack like music that fits into every nook and cranny.
Even though GTA IV's music was good, it didn't click as well as in previous games. Hoping for that to change with GTA V
GTA has introduced me to a lot of great songs – you can tell Rockstar really cares about music. I'm looking forward to hearing what GTA V offers, not to mention the new satirical commercials and talk shows.
I love how many video-games have gotten me into music. Thought I've never even played it, Poets of the Fall's covers for Alan Wake got me listening to all of their classics, and I'm probably all the happier listener for it. Popular soundtracks that fit the mood of a game makes their trailers all the better, as with GTA V.
It's gonna be a blast to play GTAV let alone experience the great soundtrack. Can't wait, looking forward to it!
When it comes to the Grand Theft Auto series, there's only two things that really matter to me: the gameplay and the soundtracks. In fact, I'd say the soundtrack's matter more to me most. There's no way I can really put down to words how much I've loved what R* has done with these songs, the tunes I've learned about, and the memories attached. I will, however, jot down some standouts that pop into my mind:
-A Flock of Seagull's I Ran (So Far Away)
-Woman to Woman by Joe Cocker
-Eminence Front by The Who ("it's an eminence a-fron-front!")
-Street Kids by Elton John (good ol' album cuts)
-Green River by CCR (my plane is going over the damn now)
-Ain't Nuthin' But a G Thang by Dr. Dre feat. Snoop Dogg
-Fascination by David Bowie
-Somebody Up There Likes Me by David Bowie (one of my top favorites -- "Now there's a man who will never sell out and do car commercials")
-Runnin' Down a Dream by Tom Petty (my first exposure of this song and I wouldn't have it any other way)
-Dance Hall Days by Wang Chung (my friend loves this one)
-One Thing Leads to Another by The Fixx
-Homicide by The Prairie Cartel
-Jailbreak by Thin Lizzy
-I Wanna Be Your Dog by The Stooges
-One Vision by Queen (one! one! one! one! one!)
-Steppin' Out by Joe Jackson (the first song I ever heard from the game Vice City 'cause I was playing off of someone's save file)
I think that's more than enough for now. I oughta blog about this...
I know it may not be a GTA game, but why did you not "Far Away" in Red Dead Redemption as you enter Mexico for the first time. That song is the single most memorable song in any game i have played due to it's placement and realtion to the story.
After the headline "How Grand Theft Auto Revolutionized Game Soundtracks" all you needed to put was "by taking songs that were already considered decent to good and have them played through a vehicle's radio while you are driving."