The lights are on
The studio behind the upcoming Tomb Raider game has a long history in
the games business, but its lineage of luminary alums cements Crystal Dynamics' stellar reputation. In 1992 it would have been hard to imagine that Crystal Dynamics would become a hotbed for game creators. We spoke with Noah Hughes about the early days of that small studio, and how it grew and changed over nearly two decades, evolving into a triple-A development house responsible for over 30 games. Hughes currently fills the role of experience director on the upcoming Tomb Raider title. Having begun at the studio way back in 1993, he’s been present during the creation of many major games in the company’s history, and he has seen some brilliant gaming minds come and go from the studio. “The company was founded by Madeline Canepa, Judy Lang, and Dave Morse,” Hughes tells us. “Madeline was running the company when I started here. She gave me my first job. Dave Morse – it’s interesting – was a co-founder of the Amiga. I was a huge fan of the Amiga, so I was always in awe of that.” Even in those early days, Crystal Dynamics established itself with a reputation for tackling unique projects that set it apart from other development houses. “As a small, start-up developer, we had a lot of heart,” Hughes continues. “We were our own publisher as well, and that idea of taking on the big publishers and creating our own IPs was super exciting to us at the time. “ Those early days were dominated by the development of games for the ill-fated 3DO. Games like Crash n’ Burn and Star Control II were notable entries for the console, but the most memorable for many gamers was a little would-be mascot named Gex. The first Gex title released in 1994, and crossed over to other systems like the Saturn and PlayStation. “One of the first games that put us on the map was Gex. That was sort of envisioned as a mascot game for the 3DO platform,” Hughes explains. “We really wanted to give a character personality. We had Dana Gould voicing Gex, and it was really cool to see a character come to life more than you’d seen in previous platformers. There was that idea of creating a strong intellectual property built on characters that people fell in love with. People wanted to come back there.”At the same time that games like Gex were hitting it big, the studio saw some remarkable personalities come and go. “As part of the crew back then, we had Mark Cerny as our resident super genius programmer. Even then, he had brilliant design insights. He had done Marble Madness and Sonic 2; in fact, a lot of the early crew came from Sega. Madeline Canepa came from Sega. Mark Cerny had come from Sega. He was really instrumental in creating our early engines that were able to draw these 3D streaming worlds. Crash n’ Burn, Total Eclipse, and Off-World Interceptor were all based on that core technology.” After his time at Crystal, later years would find Cerny dipping his hand into any number of development projects, first through his time at Naughty Dog establishing franchises like Crash Bandicoot and Jak and Daxter, and later as a consultant on games like Ratchet & Clank, Uncharted: Drake’s Fortune, and Heavenly Sword. Cerny was awarded the IGDA Lifetime Achievement Award in 2004. Another major voice in development spent formative years at Crystal Dynamics. Jeronimo Barerra worked on titles like Off-Road Interceptor and Hoard, but he has since moved over to Rockstar Games, where he presently serves as vice president of development. In his role at Rockstar, Barrera has been instrumental in the creation of titles like Grand Theft Auto III, Bully, and Red Dead Redemption, among many others. The mid to late '90s saw more unique hits rolling out of Crystal Dynamics, including the amusing Blazing Dragons, 2.5D platform/action games Pandemonium 1 and 2, as well as two excellent sequels to Gex. But one of the most compelling new properties published by Crystal Dynamics was Blood Omen: Legacy of Kain, a moody and atmospheric project that emerged out of a partnership with Denis Dyack and his Silicon Knights studio. “The first Legacy of Kain game was a partnership with Silicon Knights. It was incredibly exciting to work with another talented group like that. We drew a lot of our inspiration, not just from our own experiences, but working with other people that were essentially another developer, just like us. But we were publishing their titles.”Blood Omen established the unique world of Nosgoth, and Crystal Dynamics took that universe in new directions with the 1999 release of Legacy of Kain: Soul Reaver. It was there that many gamers first encountered the brilliant storytelling of Amy Hennig. “Amy Hennig did an amazing job of expanding the world of Nosgoth, and creating Soul Reaver, as an additional brand within the Legacy of Kain franchise,” Hughes says. “She was an amazing designer, and really an incredible storyteller. One of the things I love about Soul Reaver is the richness of the world and the characters. She went on to Naughty Dog. We actually had a group of guys and girls that ended up going down there. We had Evan Wells, who is now running Naughty Dog along with Christophe Balestra. He had worked on Gex as a designer, initially, and Richard Lemarchand was on that team as well.”
The Legacy of Kain series had two distinct branches, one focusing on Kain and the other on Raziel
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